Archives for category: craft

These two matching (more or less…) pourers look like milk and will handle milk or other liquids just fine. I really worked on shaping the spout on the pot. Usually I have attached one.

Fourteen and twenty dollars respectively.

This a big, heavy bowl taking up all the space on the table right now.  It made me think of the ‘healthcare’ initiative dreamed up by the Republicans. That’s right — it’s still empty.

In a matte white glaze and others brushed on. It’s twelve inches across. Seventy-five dollars.

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It’ll be right here.

Pottery sale at my house
3828 Illinois Avenue NW

Preview Friday evening
12 May — 6 to 8 pm

Sales Saturday and Sunday
13 and 14 May — 1 to 5 pm

Email for more information: melatar@yahoo.co

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This is “earth print bowl” because it looks as if it could be a weather map of the whole world at one time, including the molten core. It has multiple glazes on an altered surface.

For sale tomorrow at the Upshur Street Art and Craft market for $32.

for Pottery Shows and Sales
Saturday 5 December
10 to 5
at
District Clay in the fabulous Off the Beaten Track warehouse art space
2414 Douglas St. NE
two blocks south of Rhode Island Avenue NE
Sunday 6 December
12 to 5
at a private home at 623 Upshur St. NW
 
Saturday 12 December

11 to 4

Upshur Street Craft Market (10th annual!)
800 block of Upshur St. NW
Food and drink will be available at all.

This Instagram file shows products from my studio, District Clay, within the very cool and inspiring “Off the Beaten Track” warehouse at 2414 Douglas St. NE, in Washington, DC. That’s a little south of Rhode Island Avenue at 24th St. NE.

https://www.instagram.com/districtclay/

 

Sometimes when I have a bit of extra clay I model a hand or a foot, never a pair for some reason.  My own limbs are the model, so the hands are chubby, the feet are peasant-like with bunions.

I make the palm or full foot first, excavate little hollows for the phalanges, then add the digits, long clay fingers or bulky toes, instead of just squishing them into a form.  I add lumps for the ankle and wrist protuberances, and for the knuckles, then smoothe them out.  If I were I think about onogeny replicates phylogeny, I guess I would make some fins first, the some chubby little Mickey Mouse hands then evolve them into fine fingers.

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This hand was coming along, but before I finished smoothing out the skin to make a lovely ideal hand, I dropped it on the dusty floor of the studio.  It wrenched into a mature twisted appendage, wrinkly, knarly.

 

Remember these?  They appeared in the bisque state below, and are now ready for sale or gifts.

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