My plate from 2017 on the left. Peter Voulkos’ from 1956 on the right. Go figure.
The Voulkos show is at the Renwick through August.
This plate suggests the Land of 10,000 Lakes, the first state I entered at the moment of birth. It’s about nine inches across.
* Fifty more, if you count the District of Columbia, where I now live, and which still has no congressional representation. Let’s think about that.
Seventy-five dollars.
Just two covered jars drying in a sunny studio space at District Clay Center.
but where I see “whiskey sipper,” you may see:
ramekin, tea-bag holder, seed-starter, creamer, egg cup, salt cellar, olive pit pit, tooth fairy beaker, earring catcher, aspirin dispenser, espresso cup, guitar pick holder, change collector, key receptacle, totem…
Twelve to eighteen dollars. Some are wood-fire products, and that’s special.
It’s clay, not wood, but looks like bark. Faux, like “fake.” If this administration has its way, a lot of the real trees will be history. The flower is real.
I was in a store once many years ago where the poor sap was selling plastic picture frames that he called “fox wood.” Thought that was a kind of tree.
Fifteen dollars each for the vases.